Pavlo Dvorsky. Smerekova hata.

I have a hazy recollection of how many years the voice of Pavlo Dvorskiy has been sounding from the stage. Quite a lot indeed. At that, during all this time he has been and remains to be clear, and during all this time Pavlo has not betrayed his image of an eternal romanticist. May be, everything is simple – simply the image corresponds to the essence. In any case, it is exactly in Dvorskyi’s performance that those songs, which being performed by any other performer would sound too sweet and feigned, sound natural and easy. There’s something in his voice, in his manner of performance and even in his face that allows you to believe in everything he sings. To believe that he himself believes in that, to believe in his sincerity. And isn’t it the main thing to feel the sincerity of a performer? May be, exactly that can explain the fact that we have heard this voice, Pavlo Dvorskiy’s voice, from the stage for so many years.