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Borys Demenko. Ukrainian Piano Avant-garde. Bulgarian Piano Metro-Rhythmics. (2CD). | | Track Reviews (5) |
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Boris Demenko's mastery does not need superfluous promotion. Even if you have not heard his performances, you could earlier already hear the record of pieces by Borys Ljatoshinsky performed by him. But today's release is even more complex and interesting than the previous one. At least, here you will hear works by several at once – namely, thirteen – Ukrainian composers-innovators (among them, by the way, there are also Ljatoshinsky’s students). And, in addition – a Bulgarian one. Here, there are pieces both by such well-known masters as Y.Stankovych and V.Silvestrov – and pieces by authors who are not that familiar to the wide public. However, as the talent and fame have never been immediately connected with each other, we also won’t pretend that such direct dependence exists. We’d better pay attention to that practically all works represented here are extreme rarities. Their manuscripts and recordings have been preserved only in Boris Demenko's personal collection – except for B.Buevsky's and V.Klin’s recordings. In due time, it was forbidden even not to just perform this music – but it was dangerous to mention it publicly. And it is Boris Demenko who became the first performer and interpreter of all these pieces – and the majority of them are extremely complex for performance. However, certainly, the articles in the disk polygraph can tell you better about it. And best of all it can be expressed by the music – unusual, unknown, ambiguous.
Publisher: author Catalogue number: BD 001/002-02 Year: 2006
See all albums and songs of the musician(s) on our site:
- Borys Demenko
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| CD1 |
| 1. |
| Rhythms
music: V. Zahorcev
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| 2. |
 | Roses Are Smiling To Us
music: V. Pacera
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| | | Five Character Pieces
music: L. Hrabovs'kyj
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| 3. |
| I. Capriccio |
| 4. |
| II. Romance |
| 5. |
| III. Scherzino |
| 6. |
| IV. Interludio |
| 7. |
 | V. Ecstatic Dance
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| 8. |
| Toccata and Melody
music: B. Bujevs'kyj
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| | | Sonate #3
music: Ju. Ischenko
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| 9. |
| I. Allegro patetico |
| 10. |
 | II. Sostenuto sognando
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| 11. |
| III. Vivace impetuoso |
| | | Sonate
music: P. Solovkin
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| 12. |
| I. Allegro |
| 13. |
| II. Moderato |
| 14. |
| III. Vivo |
| 15. |
| Sonate #1
music: V. Klyn
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| 16. |
 | Toccata
music: V. Filipenko
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| 17. |
| Fools Marsh
music: V. Hodzjac'kyj
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| | | Autograph's
music: V. Hodzjac'kyj
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| 18. |
| I. Tenderness |
| 19. |
| II. Obstinacy |
| 20. |
 | III. Game
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| | | Preludio e toccata
music: I. Karabyc'
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| 21. |
| I. Preludio |
| 22. |
| II. Toccata |
| | Total playing time: 67:23 |
| CD2 |
| | | Sonata
music: Je. Stankovych
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| 1. |
| I. Andante |
| 2. |
| II. Interlude. Largo |
| 3. |
| III.Allegro |
| | | Five Pieces
music: V. Syl'vestrov
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| 4. |
 | I. Preludio
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| 5. |
| II. Toccatina |
| 6. |
| III. Melodia |
| 7. |
| IV. Choral |
| 8. |
 | V. La sonatina sospesa / Break off a Sonatina
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| | | Triad:
music: V. Syl'vestrov
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| | | I. Signs
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| 9. |
| I. 1. Allegretto |
| 10. |
| 2. Adagio |
| 11. |
| I. 3. Allegro |
| 12. |
| I. 4. Andante |
| 13. |
| I. 5. Allegro |
| 14. |
| I. 6. Andantino |
| 15. |
| I. 7. Allegro |
| | | II. Serenade
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| 16. |
| II. 1. Allegro |
| 17. |
 | II. 2. Andantino
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| 18. |
| II. 3. Allegro |
| | | III. Music of Silver Tones
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| 19. |
| III. 1. Allegretto |
| 20. |
| III. 2. Vivace |
| 21. |
| III. 3. Allegro |
| 22. |
| Pogolos
music: V. Huba
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| | | Bulgarian Piano Metro-Rhythmics
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| | | "Spring Whimsays". Opus 78. 16 metrorhythmic pieces for piano
music: L. Pypkov
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| 23. |
 | 1. Game
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| 24. |
| 2. Old-Bulgarian Choral |
| 25. |
| 3. Song |
| 26. |
| 4. Dance |
| 27. |
 | 5. Half-Awake
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| 28. |
| 6. Rachenitsa |
| 29. |
| 7. Pastorale |
| 30. |
| 8. Intermezzo |
| 31. |
| 9. Fleeting Instants |
| 32. |
| 10. Return |
| 33. |
| 11. Etude |
| 34. |
| 12. Bright and Dark |
| 35. |
| 13. Two Rhythmic Variations |
| 36. |
| 14. Instead of a Farewell |
| 37. |
| 15. Burlesque |
| 38. |
| 16.Rhythms |
| | Total playing time: 69:20 |
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Fragments of the compositions marked with mark are available for listening. How to listen?
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Just incredible music – simple and wonderful at the same time.. And simple not because it does not contain delicate nuances, but because it succeeds, having rounded all sophistications of intellectual perception, to slightly open the door – right into the heart.. The multidimensional character of real Names – this is what you remember when listening to this disc.
| Domestic price: 134.64UAH,
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"Ivan Karabits worked in many musical genres – from instrumental miniatures to large symphonic works. The disc includes records of compositions written by the composer in different periods of his life."
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"...there is a certain analogy with Bach's cycle "The Art of the Fugue"; in Bach's work the didactic idea and its application are primary. I could have called this cycle "The Art of the Melody", but in this name the didactic idea is missing and only the "art" is represented; thus "fleeting melodies" – the expanse, in which melodies exist on the boundary between their appearance and disappearance..."
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...this disc even became the first (!) recording of sonatas by Myroslav Skoryk. Moreover: even the very music sheets of Sonata No.2 were not yet published at that moment. And Sonata No.1, by the way, is one of his diploma pieces in the domain of chamber music with which he in his time defended his degree after post-graduate studies in Moscow. Thus, this release can be justly referred to as really exclusive one..
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Romuald Twardowski composes in 2006 "Kyivska" Liturgy – and dedicates it exactly to the chamber choir "Kyiv". Such honor and attention could not remain without an answer – consequently, as it could be expected, the choir became the performer of the Liturgy... This is, sure, a good record – transparently soft and strong at the same time.
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...In the end, gratitude – is virtually the best thing that real, inspired creativity is able to bring to life. And in this case – it does bring it, because lights of the artist and the performers have met in harmony...
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It seems to me that it is just impossible to pass by that rest, internal force and freedom that sound in his works. Confidently – but not boldly, nobly – but without boasting, posturing. Music by Sylvestrov practically always causes the feeling as though he stands in front of the face of eternity with his head uncovered but raised – and you, the listener, at these moments stand next to him...
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It is quite enough to just listen attentively to any pieces by Stankovych, from chamber to symphonic ones – and there are no longer any doubts: this man enriched not a nation – but humanity – with his creativity. The feeling is absolutely clear – the spaces that live in music by Stankovych breathe real grandeur.
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When the author perceives interpretation of his/her own works as an accomplished one – it does testify to something. And Valentyn Silvestrov referred to the interpretation by the ensemble "Kyiv Soloists" exactly in those terms. From now on, you also have the opportunity to listen to this concert, to hear, feel, perceive, penetrate into it...
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His "Meditation" is a symphony for a violoncello and a chamber orchestra. Meditation in a general sense is a state, a process and quality at the same time. Since a symphony is called to reproduce and to recreate the first, the second and the third, it is hopeless to reproduce the content. This music...
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It is a frankly incredible music, that’s why it will be a bit difficult for a person, who has been brought up at pop-music, to listen to it. It is worth while listening to this music for the sake of a great space which is opened in it, behind it and in it.
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...a series of three compact-discs on which selected compositions of this great Ukrainian composer are recorded. This disc is dedicated to 100 anniversary of his birthday...
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, Киев, Украина
13-04-2008 01:24 |
Мои милые слушатели! Я весьма тронут Вашим вниманием, оно придаёт силы моей любви к музыке, спасибо Вам. Надеюсь и далее радовать Вас чем-то вкусненьким, если, конечно, до того не уем себя вечными сомнениями и неуверенностью... Только что выучил новое сочинение В. Сильвестрова, готовлю ещё и другого автора... И ещё... С удовольствием поиграю,чтобы непосредственно ощутить и увидеть Ваш отклик, пожелания и критику по поводу качества мной исполняемого... Есть много интересных, как мне кажется, идей в плане интерпретации сочинений современных авторов, которые очень хотелось бы обсудить... Может, и Вас это заинтересует? Как бы хотелось!... А, может, и я смогу оказать Вам скромную помощь в решении Ваших музыкальных проблем? Дай-то Бог! С уважением demenko@intraffic.com.ua
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Карина
, Киев
07-04-2008 09:08 |
Эта музыка меня поразила из нутри, я бы хотела познакомится с Борисом Деменко, подержать его руки которые играют такую очаровательную музыку! БРАВО! БРАВО! БРАВО! БРАВО!
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Валя
, Киев
07-04-2008 09:01 |
Борис Деменко мой кумир!
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Леня
, Киев
07-04-2008 08:58 |
ОФИГЕННАЯ МУЗЫКА!!!
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, Київ, Україна
23-12-2007 21:22 |
Цикл двух дисков современной фортепианной музыки Украины демонстрирует широкий диапазон композиторских техник, жанров, образов, стилевых явлений, нюансов традиций и новшеств. Непрофессионал откроет здесь яркие и искренние откровения души отечественных поэтов звуковой палитры в их разнообразии звуковых красок, а порой и драматических порывов.
Где-то два десятка лет тому назад словом "авангард" пугали наших соотечественников. Теперь это просто синоним всего нового. В представленной на дисках музыке есть как тональные, так и разного рода атональные сочинения, различные явления "нео" - неоромантизм, неофольклоризм и др. Но везде заметна интересная особенность в отобранных Б.Деменко произведениях. При большом разнообразии композиторских технологий в каких-то нюансах вырисовывается что-то интонационно родное для уха и души наших современников. У В.Филиппенко это явные отзвуки голоса Украины, у В.Загорцева или В.Сильвестрова это выявляется более опосредованно, но оно есть везде!
Появившаяся таким образом возможность услышать малоизвестную музыку может воодушевить и профессионалов-исследователей, потому хочется выразить искреннюю признательность интерпретатору этой исполнительски сложной музыки.
Для пианиста, поднявшего такой интересный художественный материал и осуществившего выпуск двух дисков данный труд можно считать творческим подвигом, значение которого трудно переоценить. Безупречность, отточенность разного рода исполнительской техники Б.Деменко, его искренняя любовь к новой отечественной музыке и желание призвать слушателя познать то, что он сам пережил, придает исполнению ту художественную искренность, которая явно откликается не столько в слышании, сколько в переживании того, о чем музыкально «думали» авторы – наши современники. Здесь и высокая культура ритмики, педализации, насыщенная стихия
динамики контрастов и всего того, что составляет существо исполнительского профессионализма.
Второй диск кроме отечественной музыки содержит еще и столь же качественное исполнение музыки болгарского композитора, технически более традиционной. И здесь исполнитель на высоте, что говорит о том, что этот музыкант в любом случае находит адекватные средства интерпретирования авторского текста, к каким бы стилевым истокам он ни был бы ориентирован. Следует отметить отличную звукорежиссуру и техническое выполнение записи, отвечающего самым высоким требованиям современных стандартов и критериев качества.
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NEW AND HOT
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light magic
Domestic: 58.14UAH
International: $12.92USD
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